I very much appreciate your message and am glad that you care so much about El Salvador’s recent history.
When I first began writing “Secrets & Lies in El Salvador,” I wanted it to be historical fiction, but I had t w o very knowledgable people tell me not to write it that way. The first person (who recently passed away with cancer) told me that the story would be better told by moving events around in order to build tension. Karen Aschenbach had written screenplays and lived in Hollywood the last few years of her life. I am well aware that Hollywood doesn’t often tell the complete truth, but I am also hoping that this story will be made into a movie.
The other person who recommended I not call it (or make it) historical fiction is an author of historical fiction herself. She said historical fiction doesn’t sell except to a small group of people who care immensely about history. A few months after she gave me this advice, she pulled her books off the shelf to edit and make changes as some readers had found some errors in the work.
That was a wake-up call for me as I knew I wasn’t being meticulous about the history and especially the time-line.
For these reasons, I call the novel historically-based, rather than historical fiction.
I will make sure my publicist is aware of this so that we do not label this story inaccurately.
My sincere thanks for your compassion toward the Salvadoran cause. My Salvadoran friends and family are very grateful to you and all those who remind the world of this unjust US-funded war.
Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador: http://tinyurl.com/klxbt4y
Her husband made a video for her novel. He wrote the song too: