4 Ways Writing Improves Your Relationship With Yourself by K.M. Weiland

I wanted to share something for writers & more importantly, for those who need a gentle push to start writing. This is perfect.    ❤ Sherrie

APRIL 20, 2020 by

4 Ways Writing Improves Your Relationship With Yourself

Writing—especially the writing of stories—is ultimately a relationship with oneself. It is true that we write to communicate with others. Perhaps that is even the foremost conscious motivation sometimes. But communication itself necessitates a relationship, and what we are trying to communicate is ourselves—that unfolding inner dialogue between the Self and the self, the observer and the observed, the unconscious and the conscious, the Muse and the Recorder.

You must have a relationship with your stories before your readers can, and really this is a relationship with yourself. In recognizing this, writing becomes both an investigative tool for getting to know yourself better and a vast playground for exploration and experimentation on a deeply personal level. Depth psychologist Jean Shinoda Bolen points out:

Creative work comes out of an intense and passionate involvement—almost as if with a lover, as one (the artist) interacts with the “other” to bring something new into being. This “other” may be a painting, a dance form, a musical composition, a sculpture, a poem or a manuscript, a new theory or invention, that for a time is all-absorbing and fascinating.

Particularly in this ongoing period of quarantine and isolation, it can be a tremendously rewarding process to use writing to improve your relationship with yourself. Whether you live alone right now or in a crowded house, the one person you cannot escape, the one person who will always be there for you, is you.

Too often, I think we underestimate this person and our relationship with him or her. We’d rather distract ourselves or hang with someone else because limiting beliefs lead us to think this most intimate of all relationships is too flawed, too painful, too shallow. Isn’t this why writing sometimes scares us so badly we can barely sit at the computer? It is also, I believe, why most of us come to the page in the first place: this person within has something to say and so long as this communication comes out in the form of fun and colorful stories, we are willing to sit still and listen in ways we are rarely willing to offer during the rest of life.

The more we learn to listen to the self that appears on the page, the more we will become conscious of the things we are truly desiring to communicate—both to ourselves and eventually to readers. Writing becomes not just distraction, entertainment, or vocation—it becomes an ever-deepening relationship with life itself.

4 Ways Writing Improves Your Relationship With Yourself

Today, I want to talk about several ways in which our writing reveals itself as a relationship with ourselves—and how we can embrace and deepen our approaches to this magnificent form of self-exploration and self-expression.

1. Dreams, the Shadow, and the Unconscious

How can one not dream while writing? It is the pen which dreams. The blank page gives the right to dream.–Gaston Bachelard

From Where You Dream Robert Olen Butler

I don’t know about you, but my actual night dreams are all but useless as story material. They’re an evocative smear of rehashed memories and crazy symbolism. My dream journal, although sometimes revealing, is usually more amusing than anything. More easily interpreted are the revelations I discover in my stories. Even more than my actual writing, my ability to consciously enter what I (and Robert Olen Butler) call the “dreamzone” is a mainline to my unconscious.

Your stories are “out loud” dreams. Even though you may exercise nominal control over their subject and direction, the best of them are effortless blasts of imagery and feeling straight up from your depths. Once your body of work is large enough for you to start recognizing patterns and cross-referencing them with the happenings of your own life, you will be able to mine your stories for some of your inner self’s deepest treasures.

It surprises me that more depth psychologists don’t reference and analyze stories in the same way they do dreams. Although I have always known my stories must offer an unwitting commentary about myself, it wasn’t until the last few years that I began to be able to recognize some unintended, occasionally even prescient, parallels between the things I was writing at a given time and the things that were either happening or about to happen in my own life.

More than that, your stories, your characters, and the scenarios and themes you write about are often revelations of the hidden parts of you—your shadow self, or the aspects of your personality you have not yet made conscious. Hidden emotions, desires, and even memories can surface in our writing, there for us to recognize if only we look. Some of our discoveries will be glorious and magical; others will be difficult and painful. But all are instructive.

2. Personal Archetypes and Symbols

Archetypal stories and characters—those that offer universal symbolism—resonate with people everywhere. Whenever you hear of a particularly popular story, you can be pretty sure the reason for its prevalent and enduring success is its archetypal underpinnings. This is a vastly useful bit of information if you want to write a successful story of your own. But it is also useful because an understanding of archetypes and symbolism can offer you a guide to translating you own inner hieroglyphs.

Consider your characters. What types of characters consistently appear in your stories? These are likely archetypes that are deeply personal to, representative of, and perhaps even transformative for you. Just as in dream analysis, it is useful to remember that every character is you. The wounded warrior, the damsel in distress, the sadistic villain—each represents a facet of yourpsychological landscape.

I’ve long thought we all have just one story to tell which we go on telling over and over in different ways. I’ve also heard it said that all authors have roughly a dozen actors in their playhouse—and we just keep recasting them in new stories. There’s truth to this. Certainly, I can recognize decided archetypes that perennially fascinate me however I try to dress them up in unique costumes from story to story.

As these patterns emerge over time, I get better at recognizing what they represent. Sometimes I am almost embarrassed to realize how much of myself I have bled onto the pages of my novels—secrets so intimate even Ididn’t know them at the time I wrote them. Chuck Palahniuk observes aptly:

The act of writing is a way of tricking yourself into revealing something that you would never consciously put into the world. Sometimes I’m shocked by the deeply personal things I’ve put into books without realizing it.

Learning to speak the language of archetype and symbol can grant you tremendously exciting perception into your inner self. Stories that you loved when you wrote them, that meant one precious thing to you at the time of creation, can come to offer all new treasures even years after your first interactions with them.

3. Emotional and Hypothetical Exploration

Writing is also, always and ever, a conscious dialogue with ourselves. We put something onto the page; the page—that is to say, ourselves—responds. And the conversation takes off! Jean Shinoda Bolen again:

The “relationship” dialogue is then between the person and the work, from which something new emerges. For example, observe the process when a painter is engaged with paint and canvas. An absorbed interchange occurs: the artist reacts or is receptive to the creative accidents of paint and brush; she initiates actively with bold stroke, nuance, and color; and then, seeing what happens, she responds. It is an interaction; spontaneity combines with skill. It is an interplay between artist and canvas, and as a result something is created that never before existed.

Although we may not be fully conscious of everything we’re saying about ourselves when we first put a story to words, we almost always begin with some conscious intent. We are writing to experience something—perhaps something we’ve already experienced and want to recreate or relive, or perhaps something hypothetical that we wish to experiment with in a simulated way.

Even outrageous story events, such as fantasy battles or melodramatic love scenes, which we know are impossible or unlikely in reality, can still offer us the ability to symbolically create and process our own emotions. When we are angry, we often write scenes of passionate intensity. When we are stressed, we sometimes write horrifying but cathartic scenes or perhaps loving and comforting scenes.

Sometimes emotion pours out in ways that shock us, and when it does we have the opportunity to follow up and seek the root of something true and honest within ourselves that we perhaps have not fully acknowledged.

It is as if we say to the page: “Joy.” And a scene comes pouring out of us and shows a vivid dreamscape of what joy means to us. Or perhaps we simply wish to present a functional scene in which characters act out gratitude, trauma, love, or grief—and what we discover is our own sometimes stunning emotional response. We speak—and the page speaks back.

4. Logical and Creative Dialogues

I’ve always liked the idea of a dialogue between the left or logical brain and the right or creative brain. Both logic and creativity are wonderful in their unique ways, and both are intrinsic to a full realization of each other.

Of first importance is making sure neither the logical self nor the creative self is overpowering the other. Too often, the creative self is beaten down and starved by a dominant and cruel logic that criticizes every word creativity puts on the page. But creativity can also run wild, like an unruly child with no regard for the advice of its logical parent.

In order to appreciate and cultivate a relationship with both these aspects, we must make sure they respect each other enough to carry on a balanced back-and-forth conversation. This can happen moment by moment when we’re in the throes of writing—our creative minds manifesting ideas and our logical minds putting those ideas to words. But it can also be looked at as a larger dialogue in which different parts of the writing process become the domain of one half of the brain or the other.

Outlining Your Novel: Map Your Way to Success by K.M. Weiland

I consider the early conception stages—those of imagining, daydreaming, and dreamzoning—to be deeply creative, with very little logical input. Then comes the more conscious brainstorming of outlining, in which I sculpt my dreams and logically work through plot problems. This is followed by writing itself, in which creativity is again brought front and center as I dream my ideas to life on the page. And finally, logic returns to trim the ragged edges during editing.

Understanding how we interact with these two vital halves of personality gives us an edge in honing all parts of our writing. Likewise, in honing our writing, we are given the opportunity to shape these two opposing aspects of ourselves. Very often, one or the other is undervalued or underdeveloped. In learning to respect and appreciate both—and to give both room to properly do their jobs, while maintaining communication with one another—we can refine their presence in our larger lives.


In so many ways, writing is the study of the soul. Stories allow us to study the collective soul of humanity. But ourstories particularly allow us to study our own souls, to suss out their treasures, relieve their wounds, celebrate their uniqueness, and share their common features.

Wordplayers, tell me your opinions! How do you think your writing improves your relationship with yourself? Tell me in the comments!

Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador: 
Her husband made a video for her novel. He wrote the song too:

Penguin Books Coming Out Soon

I obviously haven’t read these, but as an author, I like to share books.
And while we’re on that subject, what do you think about me posting short reviews of recent books I’ve read? I can easily find them on Amazon and/or Goodreads.
Let me know!
And keep your eyes open for the prequel to SLIES (see below for more info). It’s titled “Crimes & Impunity in New Orleans: Shelly’s Journey Begins.” It will be out in April.

Books Coming Soon in 2020

In whis ultimate preview guide, discover the biggest new releases coming out in the next few months! From edge-of-your-seat thrillers to swoon-worthy love stories, you’ll be the first to know when your next favorite book is hitting the bookshelves.

The Two Lives of Lydia Bird Book Cover Picture

The Two Lives of Lydia Bird

by Josie Silver

Written with Josie Silver’s trademark warmth and wit, The Two Lives of Lydia Bird is a powerful and thrilling love story about the what-ifs that arise at life’s crossroads, and what happens when one woman is given a miraculous chance to answer them.
  1. The Glass Hotel Book Cover Picture

    The Glass Hotel

    by Emily St. John Mandel

    From the award-winning author of Station Eleven (“Ingenious.” – The New York Times), an exhilarating novel set at the glittering intersection of two seemingly disparate events-a massive Ponzi scheme collapse and the mysterious disappearance of a woman from a ship at sea.
  2. Camino Winds Book Cover Picture

    Camino Winds

    by John Grisham

    Welcome back to Camino Island, where anything can happen—even a murder in the midst of a hurricane, which might prove to be the perfect crime . . .
  3. Eat a Peach Book Cover Picture

    Eat a Peach

    by David Chang and Gabe Ulla

    The chef behind Momofuku and star of Netflix’s Ugly Delicious gets uncomfortably real in his debut memoir. David Chang lays bare his self-doubt and ruminates on mental health. He explains the ideas that guide him and demonstrates how cuisine is a weapon against complacency and racism. Exhibiting the vulnerability of Andre Agassi’s Open and the vivid storytelling of Patti Smith’s Just Kids, this is a portrait of a modern America in which tenacity can overcome anything.
  4. The Women with Silver Wings Book Cover Picture

    The Women with Silver Wings

    by Katherine Sharp Landdeck

    “With the fate of the free world hanging in the balance, women pilots went aloft to serve their nation. . . . A soaring tale in which, at long last, these daring World War II pilots gain the credit they deserve.”—Liza Mundy, New York Times bestselling author of Code Girls
  5. The Red Lotus Book Cover Picture

    The Red Lotus

    by Chris Bohjalian

    A twisting story of love and deceit: an American man vanishes on a rural road in Vietnam, and his girlfriend, an emergency room doctor trained to ask questions, follows a path that leads her home to the very hospital where they met.
  6. Girl Decoded Book Cover Picture

    Girl Decoded

    by Rana el Kaliouby and Carol Colman

    In a captivating memoir, an Egyptian American visionary and scientist provides an intimate view of her personal transformation as she follows her calling—to humanize our technology and how we connect with one another.
  7. Redhead by the Side of the Road Book Cover Picture

    Redhead by the Side of the Road

    by Anne Tyler

    From the beloved and best-selling Anne Tyler, a sparkling new novel about misperception, second chances, and the sometimes elusive power of human connection.

    Buy now from your favorite retailer:

Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador: 
Her husband made a video for her novel. He wrote the song too:

An FB Connection tells me how much he loved “Secrets & Lies In El Salvador: Shelly’s Journey.”


I can only hope he will post this on Amazon, as well as other places!                               Sherrie

Dear Sherrie,

I just finished reading your novel. I really enjoyed it. What a page-turner. I completed it in only 4–really 3+1/2 days. I continually had to discover what happened to the characters next.

Far from being mere mouthpieces, they were each real human beings with all a real human being’s combination of gifts and flaws. These, possessed more gifts, of course!

Rather than the two dimensional story we all too often learn of on TV or in the newspapers, you made the struggle in El Salvador truly come alive–both the land herself and the people living there.

You wrote a very lovely, poignant and memorable tale. Through seeing my gushy, purple words, you can tell I am absolutely sincere in my words of congratulations.

Warmest regards,                                                                                                                          Michael

Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador: 
Her husband made a video for her novel. He wrote the song too:

Peace is the beauty of life . . . the triumph of truth.

I especially like this cuz the guy looks trans! 😉 ❤

Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too.
You can watch it on YouTube or go to my home page:



“Peace is the beauty of life. It is sunshine.
It is the smile of a child, the love of a mother,
the joy of a father, the togetherness of a family.
It is the advancement of man, the victory of a just cause,
the triumph of truth.”

– Menachem Begin

Text & image source: Return To Eden https://web.facebook.com/SpiritualTruths/

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So why do we look at ourselves this way?

Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too.
You can watch it on YouTube or go to my home page:



“One does not walk into the forest and accuse the trees of being off-center,
Nor do they visit the shore and call the waves imperfect.
So why do we look at ourselves this way?”

~ Tao Te Ching

Art by Jennifer Smith
Text & image source: Rivers in the Ocean https://web.facebook.com/RiversInTheOcean/

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2017 – Read the best of ADVENTURE Novel Stories from around the world:

Secrets and Lies & Life: My Spanish professor (from 1985) read my novel!


Hi Sherrie,

It’s taken a long time, but I finally got around to ordering your book from Amazon. Last night I read it in one sitting and I want to comment on it before my thoughts fade away–or disappear altogether.
First of all, it is compelling reading. The secrets and lies of the title are very well integrated into the general background of the story which presents a dismaying picture of want and occasional prosperity, normal life and life carried on in the midst of terror. Except for the protagonist the other characters, to my mind, are sketched rather than filled in. Shelly is a believable woman, but I thought that her attachment to José was presented too suddenly. In general, I think that what I would have considered the most telling scene in the story–Romero’s assassination– was given short shrift. Were you present in New Orleans when there was a huge turnout at the Canal Place Theatre in commemoration of his life and works?
I liked the emphasis on food as a metaphor for the love and nurture offered by Abuela, in particular. I also liked Shelly’s care for the plants at the Refugee Center.
Finally, I think that Shelly’s actions speak loudly enough for the political message you wanted to convey so that there is less need to explicate it, as you do at the end of the novel. The “social ” message, as I see it: newfound recognition of the bonds of family, I consider apt for Shelly. Not for me. I prefer ties that connect people outside the family circle. I know that you believe in a wider solidarity, but Shelly’s change of ideas and sentiments regarding family and religion bothered me.This reaction shows my strong bias as an unbeliever. I can’t deny that when family ties begin to look like tribalism, I am disturbed. And as for religion, Marx’s stand (Religion is the opium of the people) is a view I share.Objectivity in reading and trying to understand a work of fiction is not really possible. I guess you may know me well enough to recognize that I don’t value objectivity overmuch or consider it attainable unless it is a question of an historical account, Even then, it is very hard to achieve on the part of the author and readers reacting to the account.
Congratulations! You have certainly produced a gripping account of Shelly’s sojourn in El Salvador. I hope the the book on New Orleans will come out soon.
I hope that you and your family are well. I look forward to hearing from you again.
Hello Win,
Thank you for ordering & reading the book. And thank you for your candor. I have a couple friends that normally speak candidly to me, but they have never discussed the book with me this way.

I was in Rochester when Romero was killed, at the beginning of my road toward activism. CISPES had put together a slide show about Romero’s assassination & the ensuing repression. Since my protagonist’s stay in ES was only about a year, the characters had to be sketchy (I think). My initial ideas for this novel started in NOLA. J’s sister, G, told me about her friend who’s father was a union leader & how hard it will be for her to become a doctor. (She is a doctor today!) G is also a dr. but she came to New Orleans after the earthquake in El Salvador & lived with us. She actually told me she couldn’t write a review because the novel is about her family! I don’t think it is, but there are hybrids of real people in the novel.
Right now, G is fixing the terrible translation done by a young Salvadoran who never lived in an English speaking country! I hired a company to do the translation. G says my mistake was saying I wanted it translated by a Salvadoran. She’s probably right because initially K hired an Argentinian to do the translation with help from a friend who is Salvadoran.
I had the formatting done already when I was looking through it for minor mistakes. That’s when I started freaking out as there are mistakes even in the title.
Since G is a doctor, it is taking her a while to get through it all, but she has promised me that it flows much better. I am grateful for that.
I believe I had some sense of your atheism (if that’s what you call it). And certainly Catholicism enters into your issues and concerns with the Spanish conquest.
I was an agnostic most of my life. After 9/11, I found a place called Agape International House of Worship. At that time, Rev. Michael followed Science of Mind. It is a fascinating belief system! No hell or devil & they combine the beliefs of the 7 major religions of the world. Many there are practitioners or studying to be practitioners so Rev. Michael does not consider himself the be-all, end-all of his church; in fact, he once told the audience (~1-2,000 twice every Sunday) that he hoped they would take the ideas back to their home church. Many of the practitioners were past & present activists. 
SOM1 was a course I took after the Newcomer course. It was very healing. Most of my past has been healed so I was able to be kind & loving to my parents, as well as accept their deaths which was something I had always believed was going to tear me apart. I hardly cried when my dad died. I guess because we had plenty of time to talk after my mom died. Because of my mom’s & my difficult relationship, that was harder to come to terms with, but I now see that I am a peace activist because of her influence.
As a teen, I went with a friend to a Catholic mass. At the time, I wished I had been able to confess my “sins.” I had done some dumb stuff as a child and in my mind, it made me a bad person. If I had been forgiven, I wouldn’t have carried around that guilt most of my life.                I met several priests & nuns in New Orleans, including Father Roy Bourgeois & Sister Helen Prejean. They have continued to do great work: Father Roy, organizing against the School of the Americas; Sister Helen, ministering to those on death row & actively working to have the death penalty outlawed in this country.                                                                                                            Being aware of the work Catholics priests & nuns were doing in El Salvador & going to funeral masses for the many priests that were killed in El Salvador helped me to see that there were many in the Catholic Church (albeit the lower echelons) who were very good & loving people, people who gave their lives for the poor they tried to help.
In the end, I consider myself spiritual, but definitely not religious. I have gotten a couple messages from my mom after her death when I felt I couldn’t go on.
Also, I don’t know if you knew that I was a teacher, full-time, for about 13 years, plus subbing when I moved back to San Diego from LA where I taught kids from many countries. At Venice High School, there were a lot of Oaxacans. We had a few teachers from Spain. Those kids, whose 1st language was an Indigenous one, were angry at the Spanish, not the Americans, as groups like MEChA are.
There have been many difficulties I have put myself through and finding that I had a belief system that fit with Spiritual Thought helped me get out of my funk of finding people to save and allowed me to save myself and finally be ready to spend the rest of my life with a kind, loving man like Angelo.
Not sure if you wanted to know all this, but there it is anyway! Hugging face 

P.S. Because of all the mess with translation, my New Orleans book is on hold, but I will try to attach the cover so you can see it.


Learn the story behind: Publish “Crimes and Impunity in New Orleans.” and help us meet our goal. @indiegogo
Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” will be out en Español very soon! It is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too:
https://www.youtube.com/watch?v=P11Ch… 😉

Letter to A Brit about the need for group: “People for the Ethical Treatment of Humans”

Hello Derek,

I am not sure what country you are from, but I can tell you that activists in the U.S. have been watched for years, decades, in fact! Have you ever heard of COINTELPRO? Well, in the 80s, when we protested the wars in Central America, we weren’t just being watched, we were being infiltrated. At the time, I thought my boyfriend (who later became my husband, then my ex), I was sure that he was being totally paranoid, covering his face with a large bandana whenever the media showed up.

Later we were made aware that we had an infiltrator, probably not the first, but this one was so obvious, because he gave his name as the brother of a Salvadoran in the group. This caused the group, in their naiveté, to tell him stuff about the member who “happened” to have the same last name and a brother with the same first name.

There were probably other infiltrators, but they would say that they came for the women. It seems that the politically active woman had a reputation of being “looser” than other women.

There were also phone calls when we had speakers come from Central America. They named names and threatened members’ lives.

Two of our members were visited by the FBI. One was an American citizen though her two twin sisters were working for the Sandinista government. The other one was a Salvadoran whose visa had run out when he stopped taking classes at the university that brought him there.

There were also Cubans doing a small counter demonstration every time we had an anti-war demonstration. They were allowed to have their signs on poles that had been sharpened so they could use them as a weapon. We, on the other hand, were warned that we would be arrested if we carried anything that looked like a weapon.

Then, one day, one of our members got hold of his FBI file. Most of it was blacked out, but the few words and sentences we could read were total lies. They said he was an alcoholic, though he drank one to two beers a day. They also said he was a womanizer, sleeping with all kinds of women, when, in fact, despite not having a girlfriend, he never came on to any of the women and we never knew of any that went home with him for the night.

About fifteen years after this incident, I got a postcard from the Freedom of Information Act saying I could get a copy of my file for $25. I have no idea why I didn’t order it. If it WAS filled with blacked-out lines, it would still have been interesting to see what was there and how much was the truth.

Back then (in the 90s), it was said that one in four Americans have FBI files. I can’t help but wonder how high that ratio is today. My guess would be much higher. The protests are larger and more often. The issues are often local rather than about issues in other countries or even other parts of this country.

Anyway, my friend, my suspicion is that people actually do care more about that bloody dog than that bloodied person. From what I can see, we have become numb to human suffering. It is faked in so many TV shows and movies that people feel they’ve seen everything. With PETA around, making sure that the world knows when animals are mistreated, people think about their own pets and are outraged. We need a PETH (People for the Ethical Treatment of Humans) so that the world starts demanding the ethical treatment of humans and people start thinking about their family and friends whenever they see a bloodied and tortured human being.


An American who has seen a lot

Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too:
https://www.youtube.com/watch?v=P11Ch5chkAc 😉

Reviews of books read long ago “I, Rigoberta Menchu”

I read “I, Rigoberta Menchu,” a memoir about a Guatemalan Indian woman and her culture, some 25 plus years, ago after meeting Rigoberta in New Orleans.
This woman’s culture has been slaughtered by the tens of thousands (I recently read 250,000 Indians have been massacred). The culture she comes from is one of the kindest, most accepting people to ever grace this planet. They consider love beautiful, no matter who the couple is, so they are accepting of gays.
I wish I could remember all that I learned about this culture. Rigoberta stands out as a woman who probably would have been an introvert, but she was chosen to represent her people in the UN and so she was forced to become a public person. I remember that she was joining up with other Indigenous people all over the world.
I hope Rigoberta is still with us, taking her stories directly to the people of the world!

Peace, love & justice for all,                                                                                                        Sherrie                                                                                                                                             Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too. You can go to the Home page of her blog to watch it:
Or you can see it on YouTube:
https://www.youtube.com/watch?v=P11Ch5chkAc 😉

Honoring the soldier & the vet … British Television Show: “Call the Midwife”

I just watched the 3rd episode of the British show “Call the Midwife.” The show takes place in 1950’s London. I was quite surprised to see how well the Brits treated their elderly veterans. The story is from a memoir of a midwife who stayed with the nuns and (mostly) helped babies be born (at home, most of the time!). The protagonist, a very young & naive midwife, just loves the gentle man whose legs she had to wrap a few times a week. He fought in the wars (WWI & II, I assume); his family is all gone. They died during the blitzes. (Perhaps that is the major difference: we haven’t had a war on our land since the civil war.) And when she sees his invitation to a luncheon honoring the soldiers, she decides he must go & she will take him. It brought tears to my eyes, seeing the respect & honor the old man is shown. mezzanine_349.jpg.resize.800x450.jpg

Having worked at St. Vincent de Paul Medical Clinic (for the homeless), I can tell you, these men, these vets, OUR vets, do not get that kind of treatment here. They are homeless, or they are living sadly in homes for the aged. (My apologies to Gov. Brown, who had some beautiful homes built in recent years) They don’t get invited to fancy luncheons where the young soldiers are dressed in their dress blues; they aren’t saluted. They are usually just regarded as crazy old (or more often, sadly, young) men. And now, women get to be treated like that too. One female vet has been on the streets with her child here in San Diego for years. 18160942_1665759890398247_587022536445788160_n.jpg

There are other beautiful stories here, like the husband, whose wife bares a black baby & the father falls in love with the boy on sight. Imagine that in 1950’s America!

Anyway, I just had to post about this as I was in tears throughout the show. These midwives & nuns were not the typical stereotype that many have; they were kind & generous people working with their hearts on their sleeves. If you ever get a chance to watch an episode, do watch. You might be surprised!  😉 ❤

Peace, love & respect for all, esp. our soldiers,                                                                           Sherrie                                                                                                                                             Sherrie Miranda’s historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too. You can go to the Home page of her blog to watch it:
Or you can see it on YouTube:
https://www.youtube.com/watch?v=P11Ch5chkAc 😉

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