Venice masterclass snapshots: 4 hidden enablers for your story

I love what Roz Morris says about “Foreshadowing.” Just a hint is all you need! Also Morris is right-on about “Theme.” I had to delete three-quarters of my ending because it was so heavy-handed. It was good for it to be there as a reminder, but once I remember to add the small touches to the story, they had to go!
Thanks, Roz! 😉 ❤
Sherrie
Sherrie Miranda's historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
http://tinyurl.com/klxbt4y
Her husband made a video for her novel. He wrote the song too:

Nail Your Novel

hidden techniques for writersI’m just back from a few days in Venice teaching a writing masterclass (I know, it’s a hard life). In my lectures, one subject I found I returned to repeatedly was the hidden clues that make a novel work. Readers often don’t realise they are there, and that means they’re hard for a writer to spot.

Does that sound vague? Let’s have some examples.

Foreshadowing

Readers have a strong sense of whether surprises are fair. Sudden fatal coronaries, floods, falling trees and brake failures have to be used with careful judgement because they are convenient for the writer. They must be foreshadowed so that they seem inevitable and surprising but not arbitrary.

So if you wanted to warm the reader up for a car crash, you could plant a hint much earlier in the novel that one of your characters is often fined for speeding, or that it’s Christmas and…

View original post 497 more words

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s