I love what Roz Morris says about “Foreshadowing.” Just a hint is all you need! Also Morris is right-on about “Theme.” I had to delete three-quarters of my ending because it was so heavy-handed. It was good for it to be there as a reminder, but once I remember to add the small touches to the story, they had to go!
Thanks, Roz! 😉 ❤
Sherrie Miranda's historically based, coming of age, Adventure novel “Secrets & Lies in El Salvador” is about an American girl in war-torn El Salvador:
Her husband made a video for her novel. He wrote the song too:
I’m just back from a few days in Venice teaching a writing masterclass (I know, it’s a hard life). In my lectures, one subject I found I returned to repeatedly was the hidden clues that make a novel work. Readers often don’t realise they are there, and that means they’re hard for a writer to spot.
Does that sound vague? Let’s have some examples.
Readers have a strong sense of whether surprises are fair. Sudden fatal coronaries, floods, falling trees and brake failures have to be used with careful judgement because they are convenient for the writer. They must be foreshadowed so that they seem inevitable and surprising but not arbitrary.
So if you wanted to warm the reader up for a car crash, you could plant a hint much earlier in the novel that one of your characters is often fined for speeding, or that it’s Christmas and…
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